Art, Counselling & Interpretation
- Counselling; A time to end and a time to begin1st March 2017
- Counselling and the art of giving back1st February 2017
- And this year I will…..1st January 2017
- Social Anxiety, Counselling and Christmas1st December 2016
- Couple Counselling – and just when is a discussion an argument1st November 2016
- Therapy, Mobiles and the Challenge of Choice1st October 2016
- Counselling, September and an Ellison’s Orange 1st September 2016
- Counselling – A room with a view1st August 2016
- Counselling: Choices and Decisions1st July 2016
- Counselling, Musee d’Art et d’Histoire and the Inevitability of Change1st June 2016
- Counselling and the art of Ambiguity. 1st May 2016
- Repetition; Normality or Folly. A Counselling Perspective1st April 2016
- Lions, Lambs and Therapy3rd March 2016
- Valentines Day, Counselling and the Great Unknown1st February 2016
- Janus Faced? The New Year, Counselling and Psychotherapy1st January 2016
- So which road do we travel this Christmas...1st December 2015
- Counselling, Guy Fawkes and Scapegoating1st November 2015
- Counselling Work and Narrative Therapy1st October 2015
- Counselling, Therapy and the end of Summer1st September 2015
- Wheat, Rye and Counselling1st August 2015
- Counselling and a break away3rd July 2015
- Counselling and the unexpected1st June 2015
- Counselling, Elections and our opportunity to choose1st May 2015
- Therapy, an April fool and the art of lost memory1st April 2015
- A Spring Clean Therapy and Counselling1st March 2015
- Couple Counselling & Valentines Day1st February 2015
- Nothing changes if nothing changes but this year can be different!1st January 2015
- Social Anxiety Disorder A Christmas Concern1st December 2014
- SAD & those dark Winter nights1st November 2014
- Existential Counselling A useful approach or pretentious jargon?1st October 2014
- Counselling, Therapy and a return to work1st September 2014
- Holidays, Counselling and your Shadow1st August 2014
- Couple Counselling and Choice1st July 2014
- Counselling, Jules Rimet and you A therapeutic perspective1st June 2014
- Counselling and Mayday A different take on a familiar story?1st May 2014
- Useful Therapy and not an April Fool1st April 2014
- Counselling, Floods and Pandoras Box1st March 2014
- Counselling and the art of being normal1st February 2014
- The New Year and a time for change?1st January 2014
- Christmas & Counselling The first Noel1st December 2013
- Counselling, Broomsticks & Halloween1st November 2013
- Couple Counselling and just what is a successful relationship?1st October 2013
- Counselling An issue of choice?1st September 2013
- Existential Counselling From Yalom to Basingstoke1st August 2013
- Counselling and the art of reframing1st July 2013
- Counselling - Change or Conformity?1st June 2013
- May Day Counselling - Celebration or Conflagration ?1st May 2013
- Summer Time & the Counselling Room1st April 2013
- Depression a useful diagnosis or an unhelpful label?1st March 2013
- An Emotional Timeline3rd February 2013
- Resolution, Revolution & Counselling1st January 2013
- Christmas, Carols & Counselling2nd December 2012
- Seasonal Affective Disorder and the SAD Season4th November 2012
- Psychotherapy & Counselling A Stoic Perspective17th October 2012
- 10th October 2012 - World Mental Health Day5th October 2012
- A First Meeting Explanation or Exploration?5th September 2012
- CBT, Mental Filtering and the Olympics19th August 2012
- I am not an angry man 14th July 2012
- Art, Counselling & Interpretation26th June 2012
- Murder Mysteries and Psychotherapy25th May 2012
- The importance of choice in therapy29th April 2012
- Reflections on Spontaneity6th April 2012
- A personal trainer for the mind 12th March 2012
Edward Hopper was a remarkable artist who can evoke challenging emotions. His work has certainly had a continuing impact on me. Nowadays his paintings are often seen by way of representation on some form of poster or calendar but I was recently able to see an exhibition of some of his work at the Whitney Museum of American Art in Manhattan.
In case his name sounds familiar but nothing specific comes to mind, Hopper’s most famous work is a painting entitled Nighthawks. This features three people, a solitary man and a couple seated around an otherwise deserted bar in an anonymous American town. The bar is surrounded by empty streets and the painting provides much contrast between light and dark. There is life at the bar but on reflection each character seems very contained and isolated within their individual world. That specific picture was not on display at the Whitney and I believe the work is normally seen in Chicago but the sense of contrast and emptiness contained within the Nighthawks is a theme reflected in many of Hopper’s other works.
As we looked together at the paintings at the Whitney my colleague mentioned seeing a waiting game and holding a sense of expectation that something was about to happen. I was aware that I held a very different view. As I looked at the paintings I was conscious of a strong feeling of alienation and an organised desolation emanating from the work.
We were both looking at the same paintings at the same time. We had agreed on the factual content, including shape, structure and colour but we differed in our interpretation of the artwork and on what it was saying to each of us. The paintings evoked strong feelings in both of us but these were quite different emotions. It occurs to me that this capability to see something very different in the same surroundings, mirrors much of what can happen in the therapy room. This can be particularly true in the opening period of work between therapist and client.
Clients will present a story with specific facts and considerations. The details of the narrative may be undeniable such as a death, a divorce or a personal breakdown but the accompanying interpretation of that story can vary greatly. There may often be various ideas offered by clients which the therapist can consider and then if appropriate, reflect back perhaps with an added nuance. On other occasions the therapist may see a completely different scenario within the picture painted in words by the client.
Clients can for example recount a story with a sense of resignation and inevitability. Yet the counsellor may actually see hidden within a particularly stoic presentation, a glimpse of hope and a possibility that things really could be different. If client and therapist are working well together the therapist may be able to reflect this different interpretation back to the client for her or him to consider. That interpretation may at least in part be accepted and enable the client to move forward perhaps in a slightly different direction
The feelings my colleague and I held about Hopper’s work were both equally valid despite our different interpretations. In hearing each other’s explanations as to why the particular emotion was evoked, there was a broadening of understanding of both the painting and ourselves. Again this can be reflected within the work in the therapy room. There can sometimes be a dialectical process at work which will enable us to be impacted by another idea and this in turn will deepen our own understanding and encourage us to move onto another place.
That process of change and development will often lie at the heart of work within the counselling room. It is not that the interpretations made by either party are wrong. Indeed I would suggest that the clients’ interpretations of their lives should always be regarded as valid at the time they are spoken even if these are unhelpful or even destructive. It is more that the counselling room provides a safe space to explore the client’s interpretation and also where it is appropriate to do so, to offer up alternative ways of thinking or feeling.
Unlike those characters in the Nighthawks who will remain frozen for eternity in their situation, my hope is always that counselling work can allow for personal movement and development. Therapy offers an opportunity for clients to move into a place where they may start to challenge difficult emotions whether those are feelings such as alienation and isolation or something more harmful. Clients can then begin that process of change – if that is what they seek to do.
And if I was not a nondirective counsellor I would also be minded to add that the Whitney Museum on Madison Avenue with those wonderful Hopper works, is certainly worth a visit the next time your travels take you to New York!
added on 26th June 2012
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